IAMA Art Museum in San Francisco
Artist: H.H. Dorje Chang Buddha III
The characteristic feature of this calligraphic work is the firmness seen within gentleness. Although casually written with natural strokes of the brush, one can see a vigorous and powerful quality born of strong calligraphic skills on the highest level. If one does not have a solid foundation in stone inscriptions, one could not possibly attain such a marvelous mastery of calligraphy. “Temple of Good Fortune and Wisdom” is an inscription written for a Buddhist temple.
https://iamasf.org/exb-hhdcb3/
H.H.第三世多杰羌佛的書法能達到如此登峰造極的境界，全然來源於他博大的學識，精深的才華，當然臨帖的功夫對於佛陀來說一揮體成，而紮實雄厚，方能自成大家。學識為書之棟樑，書之基石；德為書之格調，書之神韻，故書法必具雙胞學體。H.H.第三世多杰羌佛的書法，脫俗無華，格高境妙。時而龍蛇走筆，轉鋒又童心天趣，平中見奇，飄逸自如，渾厚華滋。行墨連綿，氣韻暢達，字勢或雄渾矯健如龍躍天門，虎臥鳳闕；或清新和雅如浮雲飄冉，鶴翔松間；或樸拙率真，孩心無執。脫盡輕鮮煙火之氣，收斂內含，俗染浮雜已然蕩盡！正是『天質自然，韻達性海，故柔中見剛，華而清奇。』
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